Monday, September 20, 2010

Coat of Many Colors

Mary the Colorful One by Bro. Cletus Behlmann, S.M.


I really love these bright and happy works -- all title Mother and Child, acrylic on paper -- because the combination of bright and muted colors using blending techniques creates a unique interpretation of the same simple image of Mother and Child.  These are adorable renderings that feel whimsically unsophisticated like a small child's artwork, but shows the maturity of a stained glass 'technique'...the repetative nature and reinterpretation of the same image, and simple lines are very popart -- Warhol meets Matisse (two of my favorite artists).  You cannot look at these paintings and not feel overjoyed!! 

The interesting thing about the artist, a Marianist brother, is that he did not begin to take art lessons until he was 28 years old!  How encouraging that anyone can find a creative outlet for their passion or talent in their own personal way. http://campus.udayton.edu/mary/gallery/exhibits/behlmann.html

Land of the Blue Virgins




This semester I'm taking a theology course about Mary: Insights and Images.  The topic for my class presentation is going to be about the Blessed Virgin Mary (of course!), specifically the interpretation of the Madonna in blue mantle with arms outstretched.  The Mary Page (http://campus.udayton.edu/mary/index.html
from the Marian Research Institute at University of Ohio/Dayton) features an entire section about Marian art and poetry celebrating Mary!  http://campus.udayton.edu/mary/gallery.html

These images were very inspiring because they are simplistic aesthetically, yet capture the essence of "Mary"...the artist has an interesting presentation of Mary by superimposing photographed images of the statuary in the found environment.  The exhibit describes the artists' work as follows:

What is equally fascinating about this collection, however, is the realism of the individual statues. The variety of the pieces in material, style and execution is remarkable, as well as the occasional architectural settings in shrines or niches. The state of preservation also claims attention, ranging from brand-new unpainted through various stages of wear-and-tear to downright neglect.


Land of the Blue Virgins by artist/photgrapher Mark Charleville
http://campus.udayton.edu/mary/gallery/exhibits/charleville.html

Sunday, September 19, 2010

Mary in the Clouds
This photograph was taken while visiting Camilla